Showing posts with label romantic comedy. Show all posts
Showing posts with label romantic comedy. Show all posts

Wednesday, September 22, 2010

Please welcome Kristan Higgins!


Apologies for being a bit late, all. Had trouble with Blogger today!!

Please welcome one of my favorite people in the WHOLE WORLD, my friend and amazing author Kristan Higgins!



Saving Cats

Hello again! It’s so nice to be back here with you lovely people! Thank you to the inimitable Cindy Gerard for having me back…all it took was a little blackmail. I am one of the few who knows about that tattoo, after all. (Ahem! It’s not where you think!)

At any rate, when thinking about what to write today, I went to my favorite subject. Men. Yep. I love men. That’s it in a nutshell, gang. I love romantic heroes. Just off the top of my head, here are some of my favorites: Atticus Finch from To Kill a Mockingbird. We all love him, don’t we? The way he still sits on his side of the porch swing, unconsciously leaving room for his late wife?


Oh, man! Bud White from L.A. Confidential. Nothing like a thug trying to make good, know what I’m saying? Mm-mm! Tony Stark from Iron Man (or any role Robert Downey Jr. plays, because I am in love with him!).









Usher. He’s not really a romantic hero, but that smile could launch a thousand ships.



There are so many things to love about men…their hands. Their smiles. Their arms. Their inability to make a bed. But one of the things I love best about a hero is when he saves the cat.

This is a term I first heard a few years ago when I took a class given by the very lovely and much-missed Blake Snyder, a screenwriting guru and a wonderful speaker. Blake’s book is, in fact, called Save the Cat, and to the best of my knowledge, he invented the term. In essence, “save the cat” is the moment in a movie or book when a character reveals the reason we’ll love him—a small gesture that says, “Hey, reader. Great guy in here, waiting to be discovered. I may have just firebombed this empty house, but I saved Fluffy on my way out, so there’s proof.”

Sometimes, saving the cat can be more subtle…when we first meet Mark Darcy in Bridget Jones’s Diary, he’s snooty, superior and bored…but he’s also clad in the ridiculous reindeer sweater his mom gave him, and he’s wearing it to make her happy.

Aw! Come on! I’m helpless for that kind of thing. In fact, my own sainted husband saved the cat for me on our first date—he may have been a Bono-lookalike with his green eyes and black hair, and yes, he was the king of cool (back then, anyway), wearing his leather jacket…but he held the door for me, even if he was an Irish thug. And you know what? He had actually saved a cat…back then, McIrish lived in a grimy part of Brooklyn. One night, there was a terrible thunderstorm. He heard a small mew, looked around, saw a tiny, bedraggled kitten, opened the door and said, “If you come inside, you can be my cat.” I don’t know if McIrish was aware of the effect that story would have, but when he told it to me (on our very first date), I immediately started naming our children.

In my latest book, All I Ever Wanted, Ian McFarland is rather cold (it seems). He doesn’t seem to like the heroine at all (it seems). He’s better than the rest of us sloppy humans (it seems). But he saves the cat in the very scene, and hopefully, readers will pause and say… “Hey. That was kinda…sweet.”

So tell me—have you come across those little instances where the hero saves the cat in your favorite books or movies? Is it the heroine who rescues poor Fluffy? Has your honey ever flashed you a little cat-saving mojo? Do tell! I’ll send a signed copy of All I Ever Wanted to a commenter. Can’t wait to hear your stories!

Kristan

www.kristanhiggins.com

Friday, September 10, 2010

Kathleen Presents: Chick Flicks Guys Like

I have some book news, but I'll save that until the end, when I'll also mention that I'll be giving away a book in celebration of said book news. But I digress.

We talk about chick flicks here periodically, and I'm usually the bearer of the bucket of cold water because I'm not a huge fan. Or the one I rave about is likely to be the one everyone else hates. But I saved an article called "A Guy's Guide to Rom-Coms" from last Friday's Minneapolis Star Tribune partly because I found Strib columnist Tom Horgen's 11 picks worthy of discussion, but mainly because unprompted my husband said, "Hey, did you see this article? I think this guy's got something here." And that cowboy of mine is definitely not a big romantic comedy fan.

I realize not every chick flick is a romantic comedy, but chick flicks are all aimed at women, and I would say the basic theme is building relationships. Going out on a limb here, I think all rom-coms are chick flicks. Men regard them as chick flicks. So rom-coms are chick flicks that men might like. But which ones? The article is all about recent flicks, but for my money it's still hard to beat some of the classics like "It Happened One Night" and any number of Tracy-Hepburn movies. Many of our novels certainly reflect the timeless appeal of those match-ups. But these days I generally wait for the rom-coms to come out on DVD if I see them at all. Horgen starts out by saying that the rom-com is "on life support" and pans recent releases "The Switch" with Jennifer Aniston and Drew Barrymore's "Going the Distance." I haven't seen them. I've seen ads. Not interested. As often as not, Hollywood seems to hand a log line to couple of stars who have CHICK APPROVED stamped on their SAG cards and offer them a bunch of money. Script to follow. Maybe.

Romantic comedy is a popular genre, and every genre has its set of basic formulas. Nothing wrong with that. But listen up, Hollywood: We get tired of seeing the same actors playing the same stock characters in the same story with the same tired dialogue. Script, please.


Horgen claims that the contemporary rom-com took off with "When Harry Met Sally" (1989). He acknowledges the basics: unlikely pair finds irresistible attraction complicated by seemingly immovable obstacle, comedy spices things up at every turn, couple ends up together in one way or another. Then he picks his favorites, which he says "maximized the genre's potential" from a guy's point of view. Here are his picks. See what you think.

11. Return To Me (David Duchovny, Minnie Driver) His wife was killed in an accident. She's the transplant recipient of his dead wife's heart.

10. Notting Hill (Julia Roberts, Hugh Grant) She's a big star. He's an ordinary bookstore owner.

9. Maid In Manhattan (Jennifer Lopez, Ralph Fiennes) Classic Cinderella.

8. Shakespeare In Love (Gwenneth Paltrow, Joseph Fiennes) The young Bard meets his match.

7. Brown Sugar (Taye Diggs, Sanaa Lathan) Old friends rediscover each other. Note: Mos Def and Queen Latifah really do steal the show.

6. Chasing Amy (Ben Affleck, Joey Lauren Adams) He's a comic book artist, she's not interested. Note: an indie that doesn't fit the mold, but guys--my sons among them--really like this one.

5. Shall We Dance (the Japanese version) Married man secretly takes ballroom dance lessons from a bombshell.

4. High Fidelity (John Cusack, Jack Black, forgettable female) Record store owner breaking up with yet another girlfriend.

3. The American President (Michael Douglas, Annette Benning) President (single dad) falls for a lobbyist.

2. When Harry Met Sally (Billy Crystal, Meg Ryan) Will sex spoil a perfectly good friendship?

1. Knocked Up (Seth Rogen, Katherine Heigl) This one turns the secret baby story on its head.

Horgen briefly explains his picks in the article. I haven't seen all of them, but I think the choices are interesting. Do you agree? Any puzzlers? Is this a case of Mars/Venus? What was the last rom-com you and your date both truly enjoyed?

I have an autographed book waiting to go out to one of our commenters.




And my good news is...

ONCE A FATHER is a USA Today Bestseller!